Armand Amar - Home (Album Soundtrack)

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Armand Amar — Home (Album Soundtrack)



HOME: www.imdb.com/title/tt1014762/
Home is a 2009 documentary by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close. The Spanish version was read by Salma Hayek. The Arabic version was read by Mahmood Said. The film had its world festival premiere at the Dawn Breakers International Film Festival in 2012. Before the festival premier, it was released simultaneously on 5 June 2009, in cinemas across the globe, on DVD, Blu-ray, television, and on YouTube, opening in 181 countries. The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relation strategy.
Artist: Armand Amar
|| Song: Home Album Soundtrack
|| Link: en.wikipedia.org/wiki/Armand_Amar
|| Link: www.imdb.com/name/nm0023940
Tracklist
1. Home Part 1
2. Home Part 2
3. Home Part 3
4. Home Part 4
5. O (Taken from La Jeune Fille et Les Loups)
6. Life 1
7. Take the Earth
8. Toll of Toil
9. Black Gold
10. Chemical Food
11. Feed Lots
12. Overproduction
13. Whales
14. Murderous Catch
15. Dubaï
16. The Dead Seas
17. Faster and Faster
18. Epi
19. Life 2
20. Wasteland
21. Rake the Forest
22. The Desert
23. Fire
24. Cum Dederit

Philippe Jaroussky .

Видео примочки
Philippe Jaroussky. «Cum Dederit » and «Tecum Principium» by A. Vivaldi.



Philippe Jaroussky, countertenor
Manuela Kriscak, soprano
La grande ecurie et la chambre du roy
Dir. Jean-Claude Malgoire
«Musiques au coeur: Les quatre saisons de Antonio Vivaldi» with Ève Ruggiéri.
Broadcast 2002
Antonio Lucio Vivaldi ( 1678 -1741)
Nisi Dominus (RV 608)
«Cum Dederit» — Andante.
Cum dederit dilectis suis somnum;
Ecce haereditas Domini, filii: merces, fructus ventris.
********************************
Dixit Dominus (RV 595)
«Tecum Principium» — Allegro.
********************************

Estas Tonne - Internal Flight @ 432 Hz

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Estas Tonne — Internal Flight @ 432 Hz



You are important ;) Audio materials on this channel are slide time scaled & pitch shifted to 432 Hz (Audacity) then remastered. For additional information about: natural tuning, track list, lyrics, meaning of life click «Show more».
Douglas Adams almost got it right but the meaning of life is «432», not «42» haha :D If you wish to hear your favorite music on this channel, use created playlists. I'm updating them «as I go» for our best convenience.
432 Hz is said to be mathematically consistent with the patterns of the universe. Studies reveal that 432 Hz tuning vibrates with the universe’s golden mean PHI and unifies the properties of light, time, space, matter, gravity and magnetism with biology, the DNA code and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified.
Another interesting factor to consider is that the A=432 Hz tuning correlates with the color spectrum while the A=440 Hz is off.
Audiophiles have also stated that A = 432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation.
Once you adopt the idea that sound (or vibration in general) can have an equalizing and harmonizing effect (as well as a disturbing effect), the science of harmony can be applied to bring greater harmony into ones life or a tune to specific energies. There is a form of absolute and of relative harmony. Absolute harmony can for example be determined by the tuning of an instrument. The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz — and for a good reason. There are plenty of music examples on the internet that you can listen to in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up to body. This is because 440 Hz is out of tune with both macro and micro cosmos. On the contrary, 432 Hz is in tune. To give an example of how this is manifested micro cosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90.
It is interesting to note that 432 Hz was the standard pitch of many old instruments, and that it was only recently (19th and 20th century) the standard pitch was increased. This was done in order to be able to play for bigger audiences. Bigger audiences (more bodies) absorb more of the lower frequencies, so the higher pitch was more likely to “cut through”. One of the oldest instruments of the world is the bell ensemble of Yi Zeng (dated 423 BC), tuned to a standard F4 of 345 Hz which gives an A= 432 Hz. The frequency of 345 Hz is that of the platonic year! Similarly many old organs are tuned in an A=432 as well; for example: St. Peter’s Capella Gregoriana, St. Peter’s Capella Giulia, S. Maria Maggiore in Rome.
Maria Renold’s book “Intervals Scales Tones and the Concert Pitch C=128 Hz” claims conclusive evidence that 440 Hz and raising concert pitch above scientific “C” Prime=128 Hz (Concert A=432 Hz) disassociates the connection of consciousness to the body and creates anti-social conditions in humanity.
The difference between concert pitch A=440 Hz and Concert A=432 Hz is only 8 cycles per second, but it is a perceptible difference of awareness in the human consciousness experience of the dream we share called existence.
On a personal level, I «feel» the music between me & the person I am talking to plus sound is NOT not coming direct from the speakers, it's just «there». Also, I do not need to shout in clubs and pubs for other person to hear me properly — when I'm lucky enough to be blessed enough to be in that kind of environment, that is.
Thank you very much for reading, do share the experience if you like what you hear ;)
Andrej

J.S. Bach: The Violin Concertos

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J.S. Bach: The Violin Concertos



Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): brilliant-classics.lnk.to/BachViolinConcertos
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Composer: Johann Sebastian Bach
Artists: Emmy Verhey (violin), Camerata Antonio Luco, Rainer Kussmaul (violin), Henk Rubingh (violin), Thomas Hengelbrock (violin), Amsterdam Bach (Soloists)
Available as a separate release: all concertos for 1 violin by Bach. They are BWV 1041 and 1042: the well-known concertos. BWV1052, 1056 and 1064 are reconstructions. The latter one being for three violins. Soloists are among others Emmy Verhey and Rainer Kussmaul.
Tracklist:
Violin Concerto in A Minor, BWV 1041:
00:00:00 I. Allegro
00:03:52 II. Adagio
00:10:23 III. Allegro
Violin Concerto in E Major, BWV 1042:
00:14:22 I. Allegro
00:22:05 II. Adagio
00:28:47 III. Allegro assai
Violin Concerto in D Minor, BWV 1052:
00:31:42 I. Allegro
00:39:20 II. Largo
00:46:22 III. Presto
Violin Concerto in G Minor, BWV 1056:
00:54:14 I. Allegro
00:57:37 II. Andante
01:00:52 III. Allegro assai
Concerto for 3 violins, strings & b.c. in D Major, BWV 1064:
01:04:30 I. Allegro
01:10:23 II. Adagio
01:15:35 III. Allegro
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