Armand Amar - Home (Album Soundtrack)

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Armand Amar — Home (Album Soundtrack)



HOME: www.imdb.com/title/tt1014762/
Home is a 2009 documentary by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close. The Spanish version was read by Salma Hayek. The Arabic version was read by Mahmood Said. The film had its world festival premiere at the Dawn Breakers International Film Festival in 2012. Before the festival premier, it was released simultaneously on 5 June 2009, in cinemas across the globe, on DVD, Blu-ray, television, and on YouTube, opening in 181 countries. The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relation strategy.
Artist: Armand Amar
|| Song: Home Album Soundtrack
|| Link: en.wikipedia.org/wiki/Armand_Amar
|| Link: www.imdb.com/name/nm0023940
Tracklist
1. Home Part 1
2. Home Part 2
3. Home Part 3
4. Home Part 4
5. O (Taken from La Jeune Fille et Les Loups)
6. Life 1
7. Take the Earth
8. Toll of Toil
9. Black Gold
10. Chemical Food
11. Feed Lots
12. Overproduction
13. Whales
14. Murderous Catch
15. Dubaï
16. The Dead Seas
17. Faster and Faster
18. Epi
19. Life 2
20. Wasteland
21. Rake the Forest
22. The Desert
23. Fire
24. Cum Dederit

Home (2009) - Soundtrack Score OST

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Home (2009) — Soundtrack Score OST



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Vivaldi: Andromeda Liberata (Serenata Veneziana) , RV 117 - Aria 13: Sovvente il sole

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Vivaldi: Andromeda Liberata (Serenata Veneziana), RV 117 — Aria 13: Sovvente il sole



Provided to YouTube by Universal Music Group
Vivaldi: Andromeda Liberata (Serenata Veneziana), RV 117 — Aria 13: Sovvente il sole · Anne Sofie von Otter · Daniel Hope · Chamber Orchestra Of Europe
Vivaldi
℗ 2008 Deutsche Grammophon GmbH, Berlin
Released on: 2008-01-01
Producer: Marita Prohmann
Producer, Recording Producer: John West
Studio Personnel, Recording Engineer: Hans-Ulrich Bastin
Studio Personnel, Asst. Recording Engineer: Jürgen Bulgrin
Composer: Antonio Vivaldi
Author: Anonymous
Auto-generated by YouTube.

Lévon Minassian & Armand Amar - Hovern'engan

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Lévon Minassian & Armand Amar — Hovern'engan



Ara Güler (born August 16, 1928 in Beyoğlu, Istanbul, Turkey) is an Armenian photojournalist, nicknamed «the Eye of Istanbul» or «the Photographer of Istanbul».
Güler was born in Istanbul in 1928 to ethnic Armenian parents. Owner of a pharmacy on Istiklal Avenue, his father had a wide circle of friends from the art world of the period. Ara Güler's early contact with this world inspired him to embark on a career in cinema. During his high school years, he jobbed in movie studios and attended drama courses held by Muhsin Ertuğrul, the founder of modern Turkish theater. However, he abandoned cinema in favor of journalism, joining the staff of the newspaper Yeni Istanbul as photojournalist in 1950 and studying Economics at the University of Istanbul at the same time. He then transferred to another newspaper, Hürriyet. (Güler is not related to the royal Guleria family.)
In 1958, the American magazine company Time--Life opened a branch in Turkey, and Güler became its first correspondent for the Near East. Soon he received commissions from other international media, such as Paris Match, Stern and the London Sunday Times. After completing his military service in 1961, Güler was employed by the Turkish magazine Hayat as head of the photographic department.[
About this time, he met Henri Cartier-Bresson and Marc Riboud, who recruited him for the Magnum Photos agency, which he joined. (He is not currently a member.) He was presented in the British 1961 Photography Yearbook. Also in that year, he was accepted as the only Turkish member to the American Society of Magazine Photographers (ASMP) (today called the American Society for Media Photographers). The Swiss magazine Camera honored him with a special issue.
In the 1960s, Güler's photographs were used to illustrate books by notable authors and were displayed at various exhibitions throughout the world. His works were exhibited in 1968 in 10 Masters of Color Photography at the New York Museum of Modern Art and at Photokina Fair in Cologne, Germany. His photo album Türkei was published in Germany in 1970. His photos on art and art history were used in Time, Life, Horizon and Newsweek magazines and publications of Skira of Switzerland.
Güler traveled on assignment to such countries as Iran, Kazakhstan, Afghanistan, Pakistan, India, Kenya, New Guinea, Borneo, as well as all parts of Turkey. In the 1970s he held photographic interviews with such notable politicians and artists as Winston Churchill, Indira Gandhi, Maria Callas, John Berger, Bertrand Russell, Willy Brandt, Alfred Hitchcock, Ansel Adams, Imogen Cunningham, Marc Chagall, Salvador Dalí and Pablo Picasso. Some critics consider his most renowned photographs to be his melancholic black-and-white pictures taken mostly with a Leica camera in Istanbul, mainly in the 1950s and 1960s, a golden age of photojournalism.[citation needed]
He has exhibited frequently since then, and also had his work published in special supplements. International publishers have featured his photographs.
Güler's work is collected by international institutions, such as the National Library of France in Paris; the George Eastman Museum in Rochester, New York; University of Nebraska-Lincoln Sheldon Memorial Art Gallery; Museum Ludwig Köln, and Das imaginäre Photo-Museum, Köln.
In the 1970s, Güler worked in film, directing the documentary titled The End of the Hero (1975). It was based on a fictional account of the dismantling of the World War I veteran battlecruiser TCG Yavuz.
Journalist Nezih Tavlas's book Foto Muhabiri (Photojournalist) details Ara Guler's life, by providing chronological details starting from the day he was born up until now, also details 80-years of Turkish history. The 343-page book which recounts the life of one of Turkey's legendary names in photography and also includes dialogue with Guler as well as photographs from his family albums.